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1-1 - Scenes in the Southwest
In many of these scenes the animals and trees call out to us in a way that seems as timeless as the terrain they inhabit. Others speak of the rich and mixed cultural heritage of the Southwest--Native, Hispanic and American. In every case, the scenes are real, very real, and it is the art of digitography that has brought them alive. Be sure and check our other galleries; they overlap a little.
If you are from the Tucson area or just love this special place, we have a special page for you--Old Tucson Only.
For your convenience, we've placed only a few images on
each page of this gallery. When you are ready, go to pages
2, 3 or
Old Tucson
Only in this Gallery, or use the tags at the top to view other
galleries on our site and place your order.

◄ Ancient Home
Ancient Home©. Within Tonto National Monument there is a small cave overlooking the basin of Roosevelt Lake a thousand feet below. And hidden in the cave are the picturesque remains of an ancient multi-story Indian village dating to well before the European discovery of America. Edition size: 39 small; 29 large; artist: Sherry Shamroth.

◄ Back in the Canyon
Back in the Canyon© is a small group of almost wild horses. Unbranded, and often untamed, they are ridden by the Indians of Canyon De Chelly past cliff houses and canyon ruins, like these, that harbor the ghosts of earlier civilizations. The stories of the petroglyphs in the center are still being deciphered. Edition size: 39 small; 34 large; artist: Sherry Shamroth.
Branching Out© describes the progress of this Gambel’s quail as he moves further out on the acacia tree. The picture is rare for us. We’ve tried for years to get a clear shot of the quail all around us at Quail Lane. The problem is that we just don’t run as fast as they do. But once in a tree, they feel safe, like this little guy, watching us, watching him. Edition size: 49 small; 11 large; artist: Laurie Larwood.
Branching Out ▼

◄ Dinner Time
Dinner Time©. Here the proud parent seems to be showing off her new little humming bird brood. The kids aren’t having any of this; it is dinner time and they want to be sure mom has brought home some delicious nectar. There is no time to waste; let’s get some food. Edition size: 49 small; 49 large; artist: Sherry Shamroth

◄ End of the Road
End of the Road©. We can’t identify this vehicle; there just isn’t enough left. In a struggle between civilization and the relentless elements of the desert, the desert is heavily favored to win. The saguaro was probably a few feet shorter when the auto drove up, but it wasn’t likely to be moved by something so small and helpless. Edition size: 49 small; 34 large; artist: Sherry Shamroth.

◄ Examining the Situation
Examining the Situation©. Well, we assume this javelina is examining the situation. He probably should, because only a careful step separates him from the bottom of the canyon carved out of Arizona’s Rincon mountains by a little waterfall. Quiet now; he’s thinking about it. Edition size: 39 small; 19 large; artist: Laurie Larwood.
◄ Fluffy
Fluffy©. About two days back, this little hummer climbed unsteadily out of her nest, tried out some new wings and feathers, and took off. But here she is, back again, all fluffed out and looking sort of pleased with her new experience of freedom. Edition size: 39 small; 29 large; artist: Sherry Shamroth.

◄ Here Comes Trouble
Here Comes Trouble©. Walk through the desert for years and you won’t see a rattle snake. But go out in the evening and look carefully and you will see someone looking back at you. Step carefully. You are too big to eat but too large to be ignored. A little quick bite might be appropriate…. Edition size: 29 small; 39 large; artist: Laurie Larwood.
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1-1 - Scene in the Southwest - Quail Lane Studios
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One last comment: We know these images are tempting; they are also copyrighted. Downloading for printing or other copying is expressly forbidden.